Nepotism and Ego Strokes

cavetocanvas:

Maurice Denis, Degas and his Model, c. 1906
From the Musée d’Orsay:

Maurice Denis, who had regularly visited Degas since 1901, here presents us an informal scene in the master’s life. Degas is portrayed with his thick beard, wearing a cap and huge cape, with a look of intense concentration on his face. On his left is a young model, whose profile is vividly captured, her face disappearing under a veil. The scene is organised around one of Degas’ famous notebooks in which the artist used to jot down his impressions of colour, and make quick, rough sketches. In the background, Degas’ drawings are laid out with their tones of grey, beige, brown, crimson and green. Although half hidden by the protagonists, one can still make out a female nude and a dancer in a tutu.Traditionally, this portrait is dated 1904, through a reference by P.A. Lemoine, Degas’ first biographer: “It was around 1904, after a visit to the old master, that Maurice Denis painted this canvas from memory” (Degas et son oeuvre, vol. 1). However, Maurice Denis portrays Degas dressed in the same way, in a painting from 1906 (Troyes, Musée d’Art Moderne). Moreover, two preparatory drawings exist of the portraits in the Musée d’Orsay and the museum in Troyes, which appear to be contemporary in their vigorous drawing style, and thus give credence to the date of 1906.Although there are many representations of Degas, in paintings and in sculptures, none presents the artist in such a lively and evocative way. It was this painting, incidentally, that Ambrose Vollard chose when, in 1917, he commissioned Maurice Denis to produce an etching for an album on Degas who had just passed away.

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cavetocanvas:

Maurice Denis, Degas and his Model, c. 1906

From the Musée d’Orsay:

Maurice Denis, who had regularly visited Degas since 1901, here presents us an informal scene in the master’s life. Degas is portrayed with his thick beard, wearing a cap and huge cape, with a look of intense concentration on his face. On his left is a young model, whose profile is vividly captured, her face disappearing under a veil. The scene is organised around one of Degas’ famous notebooks in which the artist used to jot down his impressions of colour, and make quick, rough sketches. In the background, Degas’ drawings are laid out with their tones of grey, beige, brown, crimson and green. Although half hidden by the protagonists, one can still make out a female nude and a dancer in a tutu.

Traditionally, this portrait is dated 1904, through a reference by P.A. Lemoine, Degas’ first biographer: “It was around 1904, after a visit to the old master, that Maurice Denis painted this canvas from memory” (Degas et son oeuvre, vol. 1). However, Maurice Denis portrays Degas dressed in the same way, in a painting from 1906 (Troyes, Musée d’Art Moderne). Moreover, two preparatory drawings exist of the portraits in the Musée d’Orsay and the museum in Troyes, which appear to be contemporary in their vigorous drawing style, and thus give credence to the date of 1906.

Although there are many representations of Degas, in paintings and in sculptures, none presents the artist in such a lively and evocative way. It was this painting, incidentally, that Ambrose Vollard chose when, in 1917, he commissioned Maurice Denis to produce an etching for an album on Degas who had just passed away.

peira:

Giovanna Garzoni (1600-1670):  Pear with Lizard (not dated)
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peira:

Giovanna Garzoni (1600-1670):  Pear with Lizard (not dated)

cavetocanvas:

Julie Heffernan, Self Portrait Sitting on a World, 2008

cavetocanvas:

Julie Heffernan, Self Portrait Sitting on a World, 2008

artgalleryofontario:

Sea Captain Figure, c. 1840 Haida, Queen Charlotte Islands, British Columbia, mid-19th century Sculpture; argillite, ivory, 46.8 x 13.5 x 8 cm  Purchased with Funds from the Estate of Mary Eileen Ash, 2008
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artgalleryofontario:

Sea Captain Figure, c. 1840
Haida, Queen Charlotte Islands, British Columbia, mid-19th century
Sculpture; argillite, ivory, 46.8 x 13.5 x 8 cm
Purchased with Funds from the Estate of Mary Eileen Ash, 2008

(via adventures-of-the-blackgang)

mudwerks:

(via Golden Age Comic Book Stories)
Mead Schaeffer - Moby Dick by Herman Melville 

Published by Dodd, Mead & Co ~ 1923

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mudwerks:

(via Golden Age Comic Book Stories)

Mead Schaeffer - Moby Dick by Herman Melville 

Published by Dodd, Mead & Co ~ 1923

(via adventures-of-the-blackgang)

electronicsquid:

Henry Koerner visits Coney Island during the off-season. 1949
Photographer: George Silk
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electronicsquid:

Henry Koerner visits Coney Island during the off-season. 1949

Photographer: George Silk

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